Letter 17

UnknownFirminus|c. 472 AD|sidonius apollinaris
education booksimperial politics

LETTER XVI

Sidonius to his dear Firminus, greetings.

1. If you recall, my dear son, you had charged me with the task of joining this ninth book, dedicated especially to you, to the other eight, which I wrote for Constantius -- a man of singular genius, of salutary counsel, and certainly, in public discussions, surpassing all other eloquent men in the gifts of a superior eloquence, whether the cause requires arguments of varied or of equal weight. The promise is fulfilled, not precisely, perhaps, but at least promptly.

2. For when I happened to come home after visiting the dioceses, if any draft lay carelessly about on decaying and worm-eaten parchments, I copied it out quickly and in haste as a hurrying transcriber, undeterred by the winter season from completing your instructions at once -- though the ink froze solid on the page and the drops were harder than the pen, so that you would have judged them, under the pressure of writing fingers, not to flow but to shatter. Even so, I took care to discharge my obligation before the west wind should wed our December -- which you call Numa's month -- to its natal rains with its warm breath.

3. It remains that, with you as judge, I should not demand two utterly incompatible things: maturity and speed together. For whenever any book is ordered to be written quickly, the author looks for honor not so much from merit as from obedience. For the rest, since you declare that the iambics recently sent to Gelasius, that most generous of men, have pleased you, I shall present you too with these verses in the Sapphic meter of Mytilene.

[Here follows a poem of approximately 60 lines in Sapphic meter, in which Sidonius surveys his literary career -- epic verse, elegiac couplets, hendecasyllables, Sapphic odes -- and then announces his solemn resolution to abandon poetry now that he has entered the clergy. He declares he will write only hymns to the martyrs, particularly Saturninus of Toulouse, and promises to honor the patron saints who have aided him through his labors, closing with the observation that "what the strings cannot sound, the heart will sing."]

4. Let us return at the end to the oratorical style, to conclude the present subject in the order once established, lest, if we close a prose work with musical epilogues, it should appear -- according to the rules of Horace -- that where an amphora was begun, a jug has emerged instead. Farewell.

Modern English rendering for readability. See the 19th-century translation or original Latin/Greek for scholarly use.

Related Letters